Often, when it came to classical music, I used to feel like there was a bit of a boundary that existed. When I was younger, I often felt that I ‘didn’t get’ classical music and would grow impatient with it quickly, due to naivety and to craving a fast food pop music fix.
However, attending ‘Classics at the Movies’ at Symphony Hall in Birmingham I had the realisation that classical music is embedded in my enjoyment of pop culture thoroughly and has more of a presence within my life than I had ever imagined. ‘Classics at the Movies’ paired the work of the late and great composers, including Wagner, Mozart, Strauss and Puccini with their use in film, which created a fantastic merging of pop culture and classical music, demonstrating how perfectly different composers have the skill to capture a range of emotions and moments, illuminating classical music’s presence, and relevance in everyday life. The performance featured various pieces from a vast range of films, which differed wildly in genre and date, ranging from A Room with a View, to Babe and Die Hard 2, capturing that moment in the cinema when you realise you recognize the tune, however you just can’t put your finger on its origin.
The resident, ninety-piece ensembles were conducted by Michael Seal and leading proceedings was Barry Norman. Norman, who presented BBC Film from 1972-1998 was the perfect addition to the evening. He narrated each piece and provided his own characteristic introduction of each work and the film in which it appeared. His presenting style often broke the intensity of each work, his casual chat in between each searing number punctuated the energy and immersion that occurred in each performance, allowing the audience a well-deserved breather, to recover from the depth and scale that each classical number provided. It also offered insight into classic films and their relationship with classical music – for instance, how Stanley Kubrick originally commissioned an entirely futuristic score for 2001: A Space Odyssey (1968), but ditched it upon hearing Johnann Strauss’s The Blue Danube, the work which is synonymous with the film.
Hearing the CBSO play in a setting as stunning as Symphony Hall is truly recommended and a definite must if visiting, or living in, Birmingham. For stunning live music, in an awe-inspiring location, Symphony Hall is the perfect place to visit to escape day-to-day life and immerse yourself in a performance that is guaranteed to stun.
By Lottie Halstead