Tag Archives: Nicole Rixon

Article 19 present: Jerusalem @ The Guild of Students

jerusalem

Article 19’s adaptation, directed by Elisha Owen and Nicole Rixon, was my first taste of Jez Butterworth’s Jerusalem and it was a distinctly bittersweet one.

Set on St George’s Day in a fictional country village in Wiltshire, the play tells the tale of old, local waster Johnny ‘Rooster’ Byron and his motley crew of mates. Away from the country fair celebrations, Rooster has twenty-four hours until he is evicted from his mobile home. Thus the three-hour play, dense with dialogue, passes with the tension of a ticking time bomb.

The short time span and single set made for an absorbing portrait into Rooster’s world. The set’s attention to detail was outstanding and the old caravan, stained sofa and empty beer bottles that greeted the audience gave a taste of what was to come. Staged on the same level as the audience’s seating, the play also created the impression that this was not a performance we were seeing but a slice of real life.

The play boasts an eclectic mix of characters, brilliantly played by an excellent cast. Sam Forbes was especially comical as the whimsical professor who has lost his dog, whilst Ciaran Creswell gave a great performance as Wesley, the straight-laced landlord turned stoned Morris dancer.

However the lead character, in an absorbing performance given by Jack J Fairley, is the hardest character to pin down. Essentially a low-life, surviving on drink and drugs in his squalid caravan, he is certainly not a hero- not even likable. Yet, in comparison to local thug Troy, he is not a villain. Something of an anti-hero, he simultaneously sickens and seduces the audience- just as his eloquent words and magnetism wins a kiss from his ex-wife, Dawn. In his battle against the district council to evict him, we instinctively fall on his side- but uneasily so.

Most mesmerising of all, for me, was Rooster’s seeming inability to grow up and his refusal to take responsibility for his actions, from his six-year old son to his smashed up TV. When his friends tell him he smashed it up himself the night before he replies, as he does to anything they accuse him of, ‘Bollocks!’ His crew of teenage companions further reflects this character trait and it is ambiguous whether he corrupts or protects them- plying them with drink and drugs, but providing them with a space where they feel safe.  The audience begins to lean towards the latter as the play unfolds, especially as it begins to appear that Rooster is being used. For me, the play’s most painfully sad moment was when local thug Troy laughed as he told Rooster how his so called friends pissed on him whilst he was passed out. And whilst he is certainly not fit to be a parent, the tender moments with his son persuade us that he is essentially a good man and that society is the monster.

Whilst Jerusalem is ultimately a play that explores ‘Englishness’, for me it was more about the dullness and disillusionment that accompanies growing old. The character of Lee, who is set to leave for Australia the next day, highlights the stagnant nature of the other character’s lives- particularly Rooster’s.

The play ends ambiguously, with the constant overbearing pressure of the eviction never fully resolved. I left after three hours feeling absolutely overwhelmed and utterly confused. As such, my first experience of Jez Butterworth’s work is one I’m still trying to make sense of.

By Ellicia Pendle
@elliciapendle

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The Bridge @ The Guild of Students

the bridge

Making a film can’t be easy. Making a film really can’t be easy when you’re a student, so Cassiah Joski-Jethi’s The Bridge is a triumph for just existing. Written and directed by Joski-Jethi, co-directed and produced by Nicole Rixon and Elisha Owen respectively, and featuring a cast of almost exclusively students, The Bridge follows Lynn (Stephanie Rendall), an eighteen year-old woman whose dreams of being a dancer are interrupted by family tragedy, incompetent adults and an inescapable neighbourhood.

The most striking thing about the film was its stunning shots. Selly Oak and Edgbaston are substitutes for London, and while the landmarks are recognisable for any University of Birmingham student, the shots set up by Joski-Jethi are beautiful. Lynn’s isolation is a key part of this film, and Joski-Jethi utilises space, depth and blurring to add to this effect. The canal-side scenes are perhaps the most visually-arresting, and should make anyone who lives in Birmingham reconsider the city’s beauty. Nick Charlesworth’s original score is equally as beautiful, creating a sense of tranquillity in the troublesome world of the film.

The film is host to some good performances, and an excellent balance of the humorous and serious. The Officer (Jack Robertson) and Jane (Anna Roberts) offer some brilliant and much needed comedic relief throughout the film, while Lynn’s relationships with other characters explore connections more seriously, focusing on obligation and trust. The interactions between Lynn and Bobby (Ethan Owen), her younger brother, are particularly enjoyable to watch: the script wonderfully captures the sibling dynamic.

In her pre-screening speech, Joski-Jethi stated that she felt the film was a time capsule containing the houses her cast have lived in, buildings that no longer exist and streets that we walk down daily. This astute way of identifying the film can encompass the film as a whole: undoubtedly, when some of the cast and crew have made their names in the film or theatre industry – as the hard work and performances indicate – this film will contain their early work; perhaps one day it will gain a cult status.

Not only were the audience given an exclusive viewing of the film, we were lucky enough to watch the ‘Making of’. In a film where most of the characters are isolated, or seem to lack true friendships, it was lovely to see the cast and crew of The Bridge working together harmoniously and having fun.

Post-screening entertainment also included a performance from the recently formed a capella group the J Walkers. Their original arrangements of popular songs including Amy Winehouse’s ‘Back to Black’ and Ray Charles’s ‘Hit the Road, Jack’ were incredibly impressive and enjoyable to watch.

The evening was concluded with a sketch show set from comedy duo Jacob Lovick and Tyler Harding. The pair’s comedic timing was on point and their comradery palpable. The duo’s set was well-rehearsed, and incorporated the slight technical glitches well. Student comedy can often be quite self-referential, but Lovick and Harding’s set moved outside the university sphere, making it all the more entertaining.

What The Bridge premiere showed was an extraordinary amount of talent in the university’s community. This talent is varied, but when used effectively in a team, projects one might have thought impossible come into existence. If this is just the starting point for this group of creative individuals, I am excited to see where they go next. 

By Jenna Clake
@jennaclake