Tag Archives: cat weatherill

Tell Me On A Sunday: Strange Encounters @ Ikon Gallery

Tell me on a Sunday is a series of storytelling events held at the Ikon Gallery, where selected tellers go up on stage and tell their anecdotes relating to a set theme. Before the event commenced there was a chance to socialise with other audience members, in the gallery’s cafe that serves tea, coffee and soft drinks and even muffins.This week’s Tell Me on a Sunday was based around the theme of ‘Strange Encounters’.

The dim-lit, small and social audience make the sharing of stories an intimate event. It is hosted by Cat Weatherill, one of Europe’s tell-meleading performance storytellers who set the theme after being inspired by Valentine’s Day. She responded well to each seven-minute performance, drawing us in and out of each teller’s life. Some of the storytellers told their story in a very conversational way, using hand movements to express themselves, which further added to their performance. The comedienne Naomi Paul, however, crafted her story with a performance perfect structure instead of a conversational anecdote. Her story provided a neat beginning, middle and end.

The stories range from humorous to tragic and ‘all with truth at their heart’. This just goes to show how far the theme can be interpreted. One story, by a retired teacher-turned-writer touched us all as he told us how his failed attempt at resuscitating a person has had a lasting effect on his life. Furthermore, the idea of not knowing the young man’s name still stays with him today.

Journalist William Gallagher enticed us to his story with his love of Sci-fi; he made us believe that he had actually witnessed, in his own blogfest picwords, a ‘shiny glowing disc’. Not only a shiny glowing disc, but that a woman was abducted by aliens. This ended with the humorous realisation that the woman possessed the car keys.

Through the variety of funny and emotional stories, we were able to relate to some aspect of the tellers’ experience. What I really loved about the event is that it goes back to the oral tradition of storytelling, where the teller is not restricted by the barrier of pen and paper, allowing the teller’s story to flow and touch us in an authentic way.

By Malia Choudhury

The next Tell Me On A Sunday is at the Ikon Gallery Cafe on Sunday 17th March. To reserve call the Ikon Gallery (0121 248 0708). The facebook event is: https://www.facebook.com/events/150196501798295/

Tell Me On A Sunday @ Birmingham Book Festival

The beloved storytelling event Tell Me on a Sunday returned for one special evening, as part of the fourteenth annual Birmingham Book Festival. Relocating from its usual abode, Café Ikon, the event catered for a larger audience on the second floor gallery, currently host to the Arefin & Arefin exhibition. Presented by the enigmatic Cat Weatherill – story-telling extraordinaire and Tell Me on a Sunday facilitator – the dimly-lit, cabaret-esque room captured the audience’s imagination before the seven storytellers even took to the stage.

The night kicked off with a performance from the national storytelling laureate, Katrice Horsley. A feisty and engaging performer, Horsley told the story of her relationship with her Uncle, maintaining a gentle balance of humour and sentiment throughout. Exploring a variety of issues, from the speech impediment she suffered as a child, to her belief in magic and fairies, Horsley created a believable and surprisingly relatable world for her adult listeners.

The next storyteller was the lovely, and slightly gawky, Tom Philips. He presented a narrative of ‘firsts’ – first time on an aeroplane, first time in America – as he went to work at Camp America, aged eighteen. The tale began fairly light-hearted, as he recalled the funny incident where he rescued a young child who was sitting on the front porch, happily sharing his sweets with a black bear. Reminiscent of a coming-of-age film, Tom told us about how his plan to travel across the USA, ending in New York, was thwarted when his friend opted for a female companion instead. Visiting New York at a different time and returning to England earlier than he had planned, Tom recounted sitting watching television with his Dad when news of the 9/11 tragedy appeared on screen. If Tom had kept to his original plans, he would have been in Manhattan that day.

South-African born, Tell Me on a Sunday regular, Gavin Jones graced the stage next. He took the audience back sixteen years, as he told a story of family rejection and what it was like when he first moved to England and, eventually, Birmingham. Funny and tragic in one breath, the audience were visibly moved. Jones was succeeded by three more storytellers, Gorg Chand, Jane Campion and Natalie Cooke, who continued to enchant the listeners. Each story was different in tone and content but the high quality never faltered.

Although storytelling is an art form, and therefore a rehearsed and crafted genre, the performances were effortless and held the illusion of spontaneity. In each seven minute segment, the audience were transported to a small part of the teller’s life – to laugh, cry and share in lessons learnt. It was a humbling occasion that, though riddled with the potential for cliché, avoided it entirely.

 

Tell me on a Sunday: Season Two will return to Café Ikon on January 27th.

For a full list of Bham Book Fest events: http://www.birminghambookfestival.org/events-2012/full-festival-programme/

 

Elisha Owen
@ElishaOwen11

Tell Me on a Sunday (Part II)

With the wonderful weather this weekend, it seemed a shame to stay indoors and contemplate the prospect of an Easter holiday filled with exam stress. Thinking that one day off couldn’t possibly hurt, I headed into the city to a sun-glazed Brindley Place for  this month’s edition of Birmingham Book Festival’s Tell me on a Sunday. Storytellers and listeners alike were welcomed into the bright, airy cafe of the IKON Gallery to cluster round small tables complete with tea-lights and orange flowers, all enjoying a late lunch or afternoon tipple. This month’s story theme was ‘Hope and Glory’.

Cat Weatherill’s spirited introduction captured the room as the lighting dimmed to create an intriguingly intimate atmosphere. Beginning with her own story, Cat told of the money troubles she faced during the early years of her marriage and how she was inspired to apply for the TV game show Wheel of Fortune. In a captivating telling, Cat relived the suspense, excitement and enthralling hope that the chance of winning the show’s cash prize gave her. Even through to the final moments she kept the audience in the dark, not revealing til the last moment that she was to succeed in winning. Cat held the room in complete focus throughout her story, displaying the power of hope and how that hope transpired to the glory of her much needed victory.

Next to the stage was Gavin Young to tell of the racial inequality he witnessed as a child in his native South Africa. Without pretence, he described the harrowing nature of segregation, outlining in small memories how the prejudices faced by black people entered his consciousness. Movingly, he remembered the confusion he felt by the divisions society insisted on creating between him and his childhood friend. Finally, he gave an impression of the changes that have taken place since his youth, outlining a vision of hope brought about by changing opinions and a gradual regression of racial prejudice.

In a distinct contrast of subject matter, a lady stepped up to the stage to share the hope she experienced through realising her identity as a mother. In a moving, yet somewhat graphic description of events surrounding her daughter’s birth. Though sometimes being in danger of isolating some younger members of the audience, she managed to lighten her story with comedy and bold similies to keep the room on her side. Another lady told of her escape to Europe with friends during a rough patch in her marriage, reliving the freedom that she felt in her youth with humorous tales of drinking, flirting and running off without the group. This was introduced as an attempt to ‘experiment with reality’, a claim that was soon brought to life through the description of a talking fox with an aristocratic English accent deep in the French countryside. However, this telling was certainly set to continue for far more than the prescribed seven minutes, so with regret, the story was left ‘to be continued’ in next month’s session.

Following this was Natalie Cook, who seemed to bring light to the room in her bright red dress and a jauntily placed flower in her hair, telling of the hope brought to her by a particular moment from her past. She described being on a long car journey with her partner. When a certain song on the radio reminded him of an emotionally significant childhood memory, Natalie recounted the connection she felt with him, encountering the rare case of knowing that another person understands the world the way you do. Her story invoked the importance of memory and the clarity that certain moments can hold; even if they are from a distant past or an unfamiliar life, they can still be held as a precious source of hope.

Finally came a story from local writer and musician Richard Stokes, who with fantastic energy and charm told of his time working in a record shop in London. Through a combination of disenchantment with his job and mild frustration with his boss, he found himself one day ordering nine hundred and ninety-nine copies of blues singer Albert E. King’s Greatest Hits out of spite. This was, understandably, to the great rage of his boss, but equal amounts of amusement to Stokes’s  Sunday audience; a truly engaging, fantastic telling.

As acknowledged by some of the storytellers, Tell Me on a Sunday is certainly gathering a regular following, with a growing audience returning to the event each month. The chance to experience performance storytelling of this standard, and in such a perfectly welcoming venue, is indisputably rare. These  are stories that will make you think, make you feel and challenge your perspectives, all whilst making you laugh. This event is a real Birmingham gem.

The next Tell Me on a Sunday is on Sunday 22nd April, 4pm – 6.30pm at the IKON Gallery and the theme is ‘Feathers and Bones’.

Words and photography by Anna Lumsden

Tell Me on a Sunday (part 1)

Birmingham Book Festival  sets out every year to cultivate the city with one statement standing out above the rest: ‘We want to hear everybody’s voice’. Not a traditionally literary city, it is sometimes difficult to track down more writer orientated events in Birmingham, and this is what the festival seeks to change. They do not simply want renowned authors to make their voices heard, but to encourage everyday people to engage with words as well. One of their newest events, Tell Me on a Sunday falls exactly into this calibre. Cat Weatherill, an internationally acclaimed story teller and author, is the curator for the monthly afternoon where she not only exhibits her own dramatic talents but invites ‘ordinary guys and girls’ to take the stage with her. The event states ‘We know you have a story in you’, and anyone is encouraged to ‘conjure a memory’ and ‘embellish it’, with the charming result that each story truly does appear ‘with truth at their heart’. The IKON Gallery is the perfect setting for this, since its emphasis on unconventional art, such as film and installation, invites works from all kinds of contemporary artists around Birmingham who these writers could easily be categorised as.

On the 19th February, performers and friends alike gathered in the IKON café for the event’s debut. The café is an intimate setting where a ‘Story Supper’ was to start the evening. Tables were moved around and pushed together so that storytellers and listeners were able to meet and greet each other. A sense of a writers’ community was created over the first glass of wine and, as Weatherill excitedly repeated, ‘cake!’ This was not only a networking opportunity for any aspiring writer, but a way of breaking down boundaries between storytellers and audience; it seemed that the guests that appeared onstage were not so much performing but sharing, as should be the nature of storytelling.

Each week is based around a specific theme listed on Tell Me on a Sunday’s website, and this one was ‘Off The Beaten Track’. This was evidently open to creative interpretation, and the result was a wonderful variety of stories tied no matter how loosely to the title. One that stood out was ‘Bruised Blondes’, told by local writer Gavin Young, which portrayed the long journey of the heart to find the one ‘that fits’. As Young put it, ‘the heart knows what it wants’, and he depicted this by describing the ‘sat nav’ heart that led him across the world (from South Africa to the UK no less) to find the right girl.

One advantage that Birmingham arguably has over other Book Festivals across the UK is the cultural diversity that the city houses. People from all over the world now inhabit the huge urban landscape, and this really added to the wealth of variation amongst the stories. We were treated to storytellers from South Africa (on the part of Young and Kate Lowe, an ‘erstwhile lunatic and gardener’), Brazil, the USA and even India, told by organiser of the Midlands Literary Edge Festival, Peter Chant. His, he explained, was a story of being ‘On the Beaten Track’ which described his family’s journey to their new home is Wolverhampton all the way from the Punjab. Aside from the sickness suffered by his sister on the boat, arguably the most harrowing part of the journey was when the children were confronted with unfamiliar food; they were well and truly far from home when the French idea of curry was salt and pepper. It was easy to feel joy too when we learnt that Chant’s family arrived in Wolverhampton to enormous quantities of traditional Punjab bread; the café never felt like more of an appropriate setting, since culture was inexplicably based around food and for each ethnic origin; indeed, ‘food means home’.

Tell Me on a Sunday is an excellent opportunity to see the breadth of literary talent that Birmingham has to boast. It is a free event, though it is recommended that people try to book in advance, and there are three afternoons still remaining. The next will be on the 25th March, and its theme will be ‘Hope and Glory’.

Words by Becca Inglis