Making a film can’t be easy. Making a film really can’t be easy when you’re a student, so Cassiah Joski-Jethi’s The Bridge is a triumph for just existing. Written and directed by Joski-Jethi, co-directed and produced by Nicole Rixon and Elisha Owen respectively, and featuring a cast of almost exclusively students, The Bridge follows Lynn (Stephanie Rendall), an eighteen year-old woman whose dreams of being a dancer are interrupted by family tragedy, incompetent adults and an inescapable neighbourhood.
The most striking thing about the film was its stunning shots. Selly Oak and Edgbaston are substitutes for London, and while the landmarks are recognisable for any University of Birmingham student, the shots set up by Joski-Jethi are beautiful. Lynn’s isolation is a key part of this film, and Joski-Jethi utilises space, depth and blurring to add to this effect. The canal-side scenes are perhaps the most visually-arresting, and should make anyone who lives in Birmingham reconsider the city’s beauty. Nick Charlesworth’s original score is equally as beautiful, creating a sense of tranquillity in the troublesome world of the film.
The film is host to some good performances, and an excellent balance of the humorous and serious. The Officer (Jack Robertson) and Jane (Anna Roberts) offer some brilliant and much needed comedic relief throughout the film, while Lynn’s relationships with other characters explore connections more seriously, focusing on obligation and trust. The interactions between Lynn and Bobby (Ethan Owen), her younger brother, are particularly enjoyable to watch: the script wonderfully captures the sibling dynamic.
In her pre-screening speech, Joski-Jethi stated that she felt the film was a time capsule containing the houses her cast have lived in, buildings that no longer exist and streets that we walk down daily. This astute way of identifying the film can encompass the film as a whole: undoubtedly, when some of the cast and crew have made their names in the film or theatre industry – as the hard work and performances indicate – this film will contain their early work; perhaps one day it will gain a cult status.
Not only were the audience given an exclusive viewing of the film, we were lucky enough to watch the ‘Making of’. In a film where most of the characters are isolated, or seem to lack true friendships, it was lovely to see the cast and crew of The Bridge working together harmoniously and having fun.
Post-screening entertainment also included a performance from the recently formed a capella group the J Walkers. Their original arrangements of popular songs including Amy Winehouse’s ‘Back to Black’ and Ray Charles’s ‘Hit the Road, Jack’ were incredibly impressive and enjoyable to watch.
The evening was concluded with a sketch show set from comedy duo Jacob Lovick and Tyler Harding. The pair’s comedic timing was on point and their comradery palpable. The duo’s set was well-rehearsed, and incorporated the slight technical glitches well. Student comedy can often be quite self-referential, but Lovick and Harding’s set moved outside the university sphere, making it all the more entertaining.
What The Bridge premiere showed was an extraordinary amount of talent in the university’s community. This talent is varied, but when used effectively in a team, projects one might have thought impossible come into existence. If this is just the starting point for this group of creative individuals, I am excited to see where they go next.
By Jenna Clake