Friday evenings in Birmingham always come with the promise of some spectacular entertainment in the form of Rush Hour Blues at Symphony Hall. Organised by Birmingham Jazz, this weekly session regularly features various jazz and blues artists from the city and further afield. The latest performance was from talented young bass player Nick Jurd, appearing in his quartet alongside other former Birmingham Conservatoire students.
The group displayed a captivating sense of unity in their set, performing a range of Jurd’s original compositions as well as inspired renditions of jazz standards. Mostly, their repertoire was ballad-like or medium swing paced, lulling the audience into a meditative state and providing a welcome contrast from the frenetic rush hour traffic seen through the foyer’s ceiling-high windows. Even some of the busier samba-feel numbers provided a laid-back sense of contemplation.
Despite the overall relaxed state of the music, many of the quartet’s pieces enclosed fascinatingly frenetic improvisation from each of the band. Nick Jurd in particular demonstrated skilful use of the higher register of his double bass, producing solos both melodically and rhythmically captivating. Alto saxophonist Rachel Cohen often chose a more sustained and emotive style her solos, whilst trumpeter Sam Wooster displayed both subtlety and ferocity in his playing, effectively combining with perfectly placed rhythmic interaction from Jim Bashford on drum kit.
Jurd’s softly spoken introduction to each tune and acknowledgement of his fellow musicians did much to maintain the mellow tone of the gig. One particular tune that will undoubtedly hit home with students of many different disciplines was Jurd’s own composition ‘Sorted’, a piece he recounts writing after graduating. This piece was, in line with the rest of the set, of a smooth, unrushed tempo, yet still expressed excitement: as he explained, it reflects a sense of accomplishment and an undeniable taste of freedom.
Interestingly for a band of this size, the quartet did not contain any chordal instruments such as a piano or guitar as would be expected to complete the texture of a traditional jazz combo. This lack of chords was slightly unusual to the ear at first, but as the set went on this supposed gap in the texture actually created a unique sense of space in the music: this allowed the subtleties of harmony from the bass and horn instruments to shine.
Nick Jurd and his quartet undeniably transfixed the large crowd that frequents the Rush Hour Blues sessions. With a captivating blend of precision playing and musical ingenuity, the group brought a tranquil end to the day in the otherwise bustling city centre. The next Rush Hour Blues instalment will feature the MHJQ Jazz Blues Trio on Friday 3rd February, 5.30-7pm. Admission is free, so there really isn’t a more ideal way to end your week.
Words by Anna Lumsden